Tag Archives: Tustin

Behind the scenes of a photoshoot

Photographers love to show of images from their last photoshoot. Everyone likes to “ohhhh and ahhhh” over the images that are retouched, mashed up and worked over in a good way we hope. But, personally, I love to shoot the behind the curtain shots. You know, the things that make a photoshoot what it really is and can have you really appreciate all the more the very cool image when the environment is anything but cool.

I attend a monthly workshop that is a mix of a social hour, some food, shop talk, instruction and shooting over at Redgum Creative Studios. A friend of mine, Richard Radstone is the instructor and mentor for those of us who regularly attend these socials and it’s always fun to be there and be involved in the day’s shoot. We have a model or two with a MUA (make up artist) present plus the crew at Redgum to help pull it all together.

So in the spirit of sharing, I’m posting some of the set up and during the shoot shots of mine of the last social/training/breakout Redgum Studio shoot. It really will give you a sense of the afternoon and what a real photoshoot is like. I’m not talking about a “shoot” where the softbox is made from a empty box of corn flakes and the light stand will blow over with a single breath. I’m talking about a real photo shoot, with real models, make up artists, real grip equipment and a real studio setting. The only thing missing is the stress of  having the client on set breathing down your back.

I’ve already mentioned the MUA and I would like to point out the use of C Stands (century stands) instead of the more common tripod stands. These are portable only in the sense that you can carry them from one side of the stage to the other or roll them if they have casters. They are very stable and with the sand bags, they will not be falling over unless you really go out of your way to try to knock it over. The same goes for the big gun strobes, the hot lights, various bit of grip equipment holding it all together and the rest. Things are taped down, locked down and safe. Many photographers would do well to take some notes of the set up of the gear, I know I did when I first started and I have invested more than a bit of “extra” equipment that just makes putting a shoot together a bit more enjoyable and safe for all concerned.

In the other images you can see some of the students from Brooks Institute that were visiting, the cameras of choice for the day and of course, the model getting prepped and having some shots taken.

To myself one of the most interesting things are how the lighting is set up. You can see the lights used, the scrims and/or diffusion used and how the stage is configured overall. There is alot to learn from these types of events. And when you understand that the four hours of social mixing, shooting and listening only costs 25 dollars, you can see how it is a real bargin.

I hope you enjoy this short visit to the backside of a photoshoot and I hope you enjoy the detail shots. So here are two of the final images from the day. So now you know both sides of the shoot, the prep and set up of the shoot and the final outcome.

Final Portrait

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Unexpected photoshoots

Just the other day I was talking about taking advantage of shooting in unplanned circumstances. And so it came to pass, I got a call from a friend telling me about a way to get inside one of the old airship hangers in Tustin here Orange County. The base is still owned by the Navy and had been used as a Marine helicopter base and a blimp base among other things. I have taken pictures over the years of the hangers from the outside but I have never been able to get on the inside. So I get a call saying that there will be a tour on saturday and it’s now friday.

Saturday AM, I’m in a crowd of around 150 people, Boy Scouts, reporters and fellow shutter bugs heading down a dirt road to the old runway leading to the North hanger. We even had one of the few remaining airship pilots who used to fly along the coast of CA in WWII. Claude Makin had a wealth of stories and was happily sharing them and answering questions from the public during the tour.

I had my 5 year old in tow and was trying to work out how to shoot a structure that is 180 feet high, 300 feet wide and 1000 feet long. The SB800 is a bit underpowered for this type of “indoor” shooting 🙂

I had brought two lens, my trusty 17-55mm F2.8 and my 11-24 F4. I found myself wishing for a something like a 10mm fisheye but I made do. It was much lighter on the inside than I thought it would be even with the hanger doors closed due to three rows of windows on each side of the roof running the full 1000 feet. They do have lights on the inside but this time they were off. My typical exposures were ISO 200 at F2.8-F4 and shutters running from 1/25 to 1/160.

These selections of my images give a very good idea of what it’s like on the inside on the hanger. Most of these images were processed using the free Kodachrome actions from Michael W Grey. The actions work very well with many types of images, not all but many.

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