Tag Archives: Scott Kelby

Disneyland Photowalk in October

So Scott Kelby is having the 4th annual photowalk on Oct 1, 2011 and in the spirit of that event, I am a leader for a photowalk at Disneyland. Why Disneyland? because it offers a way to involve the entire family in a photography event. Too often I find myself at some shoot or another without anyone from my family. ย The kids are too young, it would require babysitters for my wife to tag along and truthfully, she would be lost at some of the events I go to.

So with the photowalk at Disneyland, we will be starting the walk at 8AM when the park opens and ending the official walk at 11AM which is just in time to grab a bite, meet up with the family and continue on the day at Disneyland, possibly with new friends.
Cotton Candy Face by Canon Point and Shoot
You can sign up here for my walk. You will need a season pass OR you need to get your tickets ahead of time. We will be meeting at the Compass Book store and cafe then walking into the park on Main Street.

All levesl of photographers are welcome to come but I can tell you from experience to leave the big zooms at home. Most times you will be shooting somewhere from 11mm to about 100mm. My favorite lens on a crop sensor body is the cheap 18-55mm VR nikon lens. If I feel ambitious, I will shoot with my D300 and my 17-55mm F2.8 lens which works out to be about an 80mm lens due to the 1.5x factor. The 70-200mm F2.8 is rarely out of the bag and tends to draw too much attention. If you want to go light, then just bring a 50mm lens and use your feet to “zoom” ๐Ÿ™‚

 

 

 

Disneyland E TicketEnjoying Big Thunder Mountain

Disneyland Classic Star Tours Trifecta

 

Riding the Rockets

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Posted in event photography, photography, Travel Also tagged , , , |

Photoshopworld 2010

So I survived Vegas with it’s 30 dollar lunches, 25 dollar shots of Scotch and my cheap room at Mandalay bay. I guess it all balances in the end since I did not give a nickel to the slots. The keynote was awesome, the Tweet up was alot of fun, the Expo was crazy good fun and I did sneak out early because of the holiday and trying to fly home on Friday.

I split my time with several class this time. I noticed that in 2007 which was the last time I was there at PSW, I saw 95% software based classes. This time, the tracks were split between real photography classes and software like Painter, Photoshop and such. I ended wishing I could attend them all but settled on a mix of classes

My preconference class was “The Art of the Digital Canvas” with Faye Sirkis and I had high hopes for the class since I really wanted to see how to make CS5 work with the new bristle brushes. But, the class fell short of my expectations between a lack of real meat in the class and technical issues with CS5. The good news is that was the only class that fell short in my opinion. The two classes I took with Joe McNally were awesome to be in and Joe has a very good sense of presentation with humor and solid information.ย  I took a Fashion Portrait class with David Cuerdon who I found relatively recently on Kelby’s training site and have decided that I really, really like his style and teaching methods.. The fashion class was a wealth of info on how to shoot and more importantly, retouch the shots effectively.

Zack Arias did a couple of classes but the one I went to was “Stuff you need to know to be a photographer” and as always, Zack did a bang up job of getting down to the nuts and bolts of being successful as a photographer and to figure out what is really important to you and and your craft. A hint, passion only gets you so far as a photographer.

I did the concert and event photographer on something of a lark and it was very interesting to hear how it works behind the scenes as it were. Also the choice of gear, how to get the pass and what to expect as a photographer at a concert. Alan Hess did a very good job at showing the class the real world of Concert photography and proving that yes, you can have fun while working for a living ๐Ÿ™‚

Here are some random shots from the trip. I split my shooting between my Canon G11 and my D300. Both worked well but the Canon struggled with the low light in the classes. The D300 would work but only but shooting at 2.8 with ISO 3200 or 6400. I was really wishing for a FX camera and ISO 25,000 ๐Ÿ™‚ The NAPP Keynote was completely shot using the G11 and it did very well considering I had the zoom maxed out and the lighting was so bad. The class shots of Joe McNally were taken with the D300 at ISO 6400.

Zack Arias

Zack Arias

Mac Classic and Photoshop V1

Mac Classic and Photoshop V1

Metal prints were the hot item

Metal prints were the hot item

Scott giving away his Flying V to Adobe CEO Shantanu Narayen

Scott giving away his Flying V to Adobe CEO Shantanu Narayen

JohnnyL Adobe GM Digital Media

JohnnyL Adobe GM Digital Media

Photoshop Keynote

Photoshop Keynote

Scott Kelby and NAPP (KISS cover ala Spinal tap)

Scott Kelby and NAPP (KISS cover ala Spinal tap)

Scott Kelby and NAPP (KISS cover ala Spinal tap)

Scott Kelby and NAPP (KISS cover ala Spinal tap)

Scott Kelby and NAPP (KISS cover ala Spinal tap)

Scott Kelby and NAPP (KISS cover ala Spinal tap)

Home Base

Home Base

Mandalay Bay Lobby Entrance

Mandalay Bay Lobby Entrance

Photoshop TV LIVE

Photoshop TV LIVE

Joe McNally

Joe McNally

Small Flash Class by Joe McNally

Small Flash Class by Joe McNally

Joe McNally in action

Joe McNally in action

My view while blogging at Mandalay Bay

My view while blogging at Mandalay Bay

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Posted in commercial photography, event photography, photography, technique, training, Travel, venue Also tagged , , , , , , , , , , , , , , , , , |

Photoshop World 2010 Las Vegas Dispatch Weds

So here at Photoshopworld at the vendor Expo, Westcott did something very cool. They brought in four models (five counting the still life) and had them rotating between live demos to posing sets. Anyone with a camera could walk up and shoot the set/model from any angle you could get to. You could not change the lighting but you could have the model pose differently for you.

Here is the RAW shot from one of the posing stations. Straight from my D300 and zero adjustments.

Catwoman in Gotham City RAW

Catwoman in Gotham City RAW

Here is the same shot after my quick and dirty postprocessing. I will write up a complete “how to” post on how I got to the final product in a few days.

Catwoman in Gotham FINAL

Catwoman in Gotham FINAL

Why did Westcott do this? because they are having a contest going on that if your shot is picked from the Flickr feed, your shot will grace the 2011 Westcott catalog cover. Pretty cool idea and I saw quite a few taking advantage of the arrangement.

This is a short entry since I’m still in Las Vegas for the show and I’m trying to get this done before breakfast and another busy day.

Just a few words from the past few days. ย The show is excellent as always but I think that the crowds are definitely smaller than what I remember a few years back. But everyone is very enthusiastic about the training, the show, Photopshop and everything that goes with it.

Scott Kelby and company did a righteous cover of the band KISS and a glam rock show complete with 9″ heels and pyrotechnics/steam/radio station sponsor and EVERYTHING was built on Photoshop/Adobe riffs.

Scott Kelby as KISS at PSW 2010 Vegas

Scott Kelby as KISS at PSW 2010 Vegas

JohnnyL from Adobe did a magic show and showed the crowd the magic of CS5. There was a poke in the eye at Apple for Flash and apps being rejected by the App store but accepted by Android. The irony there was ALL the computers used in the show were Apples as the iPad for the ePub demo.

Zack Arias did an awesome class on “Thing you need to know” as a photographer getting ready to make the switch from part time to full time.

I’ll write more in depth in the coming days along with more pictures of course. Back to the salt mines ๐Ÿ™‚

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Posted in commercial photography, editing, editing software, event photography, lightroom, photography, portraits, technique, Travel, venue Also tagged , , , , , , , , , , , , , , , |