Category Archives: lightroom

Lightroom for iOS

Adobe has released Lightroom for iOS devices and I have to say it’s pretty cool. I was surprised with Lightroom on the iPad but the iPhone with its smaller screen was going to be “interesting. But the Adobe engineers really pulled off a coup with their release.

I’ve tried the major features and also the file syncing between the iPhone and my desktop version of Lightroom. Pretty slick!  I took a dozen shots today in a photography class and added them to Lightroom. Later I opened up Lightroom 5.5 on my Mac at home and like magic, the new images appeared in Lightroom.

In the coming days I plan to use it and abuse it then decide if I like enough to keep it on my phone. But, on the surface it’s impressive.  Everything works smoothly and so far I have not had any crashes of the app. I am using this on iOS 7 with an iPhone 5S so I do have top flight equipment. All bets are off with this working as smoothly on an iPhone 4S for example. You are going from 64 bit processor to 32 bit and you will take a hit. But I will be testing that also just to see. While iOS 7 runs on the iPhone 4S, it is not at it’s best. I suspect the same will be true for Lightroom Mobile.

You also need to have a Creative Cloud account such as the Photoshop Photography Program at 10 bucks a month. Any of the more expensive programs work too but I think many are using the 10 dollar program.  You will need to  have at least the 5.4 Lightroom update on your desktop/laptop version of Lightroom.

Lightroom Mobile is based on “Smart Previews” where the images are:

  • Built on the DNG format
  • 2560 pixels on the long side
  • You can make adjustments even without the original image available locally
  • These adjustments are applied when the original file is available

Here are screen shots for the iPhone 5S using Lightroom mobile

LIghtroom Mobile File Sync

No mess and no fuss. This is awesomeness at it’s best. You can see on the left the smart collection Lr mobile Adobe made and then created the iPhone  Photos folder.

OK.. thats cool but what does the interface actually look like? Exactly what you would expect if you have seen the iPad version. Just smaller 🙂

Settings for iOS Lightroom IMG_6882 IMG_6881 IMG_6883 IMG_6880 IMG_6876
IMG_6877 Photo Details in iOS Lightroom

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iPhone Rocky

Olivia as a boxer gritty light

This was taken with a handheld iPhone 4S. I used a 60 dollar 300LED video light that also was handheld by the 6 year old sister on camera left and just a bit higher than eyeliner. You can see it in the catchlight. The LED light was about two feet away and bare. The background is about one foot away and is a piece of black polar plus I bought as surplus from the local sewing shop. The polar plus does not reflect light very much, in fact it works almost as good as felt curtains but lighter and cheaper.

My post processing was Lightroom 5 with the clarity way up to get that gritty look and I also over sharpened it some. I did some basic adjustments for color and then faded out the yellows and oranges by lower the saturation a bit. There was a hot spot on the forehead from the light being bare and so close so I used CS6 and my Wacom to “paint” in that hot spot with color sampled from the nearby skin.

This image was not an accident. I had thought about it all the way home from the office, pre visualizing the positions, the lighting, the look I wanted. So my set up and taking of the image took less than 10 mins. Post was about 10 more mins. Smartphones are VERY capable cameras when you work within and push the limits carefully.

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Christmas Time in November

Oh yes, it is THAT time again with Christmas just around the corner. But, do not fear, you can make the killer gift for the extended family or friends by using all those pictures you took over the year. You can make books, cards, magazines, calendars and more using Instagram shots, Hipstamatic pictures, iPhone pictures, Droid pictures or pictures from any other camera.
iPhone catalog of images
And we ALL have hundreds and hundreds of pictures from the course of the year to pick from. Digital film doesn’t really cost us a nickel so we shoot much more than just a few years ago.

I offer many of these services as add on features to my photography sessions. I can do a themed session or do some photoshop magic for that one of a kind portrait for the gift of a lifetime.

You can always have some fun with the traditional family portrait. In this image, my own family and I decided to play off our Apple addiction that is well known in the family. everyone really liked that my oldest daughter was “in” the iPad and looking up at the youngest. That was a very simple trick with telling my oldest how to look when a friend took her picture since she was out of state at the time.

A Very Merry Apple Christmas

You can take the card into a whole new direction by compositing the family into some other place like, say, a snow globe which plays well off the fact we live in Southern California.
Final Snow Globe of Sweeneys

But for a real gift, there are many, many options in today’s digital world. You can easily use software like MyPublisher and build a very nice book with the year’s highlights in pictures for the grand parents. In this example, I made a picture book of my daughter’s first trip to Paris, France as a remembrance for her. This twenty dollar book was one of the best gifts I had given her (her words).

The best part of a picture book is that with the newest software from the vendors, they require no special Photoshop skills or expensive software. With iPhoto, the ability is built in and with vendors like MyPublisher, they give you the app for free to build the book. Other vendors like Adorama use online software and your web browser to build the book.

Amanda's Picture Book Paris France

There are dozens of printing houses that can do this type of book and Apple even has it as a built in option in iPhoto. You will hear of MyPublisher.com, Blurb and Lulu.com for a few common names. But there are many more including some books available from stores such as Adorama, Costco and Kodak.

You can decide if you are going to tell a specific story or just have a compilation of pictures from the year highlighting key events. I would strongly suggest that you write a few sentences with each picture or group of pictures so when someone is looking at the pictures, they can be reminded to what the pictures are about.

You can make calendars through many of these companies or you can buy templates with a dozen different designs ready to go with just your pictures added to finish it off. The calendars can be a single month, a year at a time or the more traditional flip calendar. You can have one, two or more pictures per month or year. You can do a lot with the newest templates and many of the templates are offered by the same fold that publisher the picture books. There are also templates available that you can use and then print anywhere you want including your own home with your own printer. In the sample below I used a Photoshop template and a picture I had taken at a school. I then printed out the new calendar at home with my own printer. My cost was twenty dollars for the template kit which has a dozen different calendars and about five cents for the printer paper and ink.
Olivia with 2014 calendar

Calendar templates are available from many sources such as Photoshop Island, RedBoot and others.

For the more advanced users, you can always make a story book by building the pages in Photoshop using templates and then exporting the resulting page out as a single JPEG file which you then print as a single page. In this graduation album, I made the pages in Photoshop and then used each page as a single picture printed on each page.
Graduation Album Pages

Also posted in Album Software, Articles, DIY, editing, editing software, osx, technique

The Great Gatsby Photog Shootout at the Tangled Vine

Our SoCal Photog Shootout group had an amazing time in San Juan Capistrano at the Tangled Vine Florist for a Great Gatsby themed shootout. Why a florist? Because The Tangled Vine has a way cool shop which used to be an old home. The Tangled Vine is on a quiet street behind the train station and has all kinds of fun areas to shoot in. They had some of their wares on display to use as props for the models and to be used to help decorate the sets.

tangled Vine Flower Arrangements

I was asked to be a leader for the first time,  so I decided to cover image composition and using things around you as “frames” for the subject. Also, I went over some fun things like using alternative crops, using negative space and more.

We had pretty models and gorgeous vintage clothing plus jewelry to really set things off. And as it happened, we had a classic car of the correct vintage crash our party and the owner let us use it briefly as a prop. How cool is that?

The models had some amazing hair and makeup done by some of our favorite make up artists. And they pulled out the stops for this shoot. Everybody really got into the theme and had alot of fun with it.

This would be an amazing idea for an different kind of wedding session and would be relatively easy to pull together.   Themed weddings are so much fun for both the bride and groom plus the guests. They make for awesome memories that are very unique and everybody likes to see even years later.

 

STYLIST:

Hope Stanley

MAKE UP

Amanda McDaniel
Joyce Luck

Hair

Diego Ortega

Assisted by:

Heather Renee
Jenny Sims
Brissa Watson

FLOWERS:

The Tangled Vine

LEADERS:

Matthew Saville
Kaylee Sizemore
Brett Hickman
Michael Sweeney
Brian Hamilton


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Retouching a bride for a vintage look

Brides are beautiful and because of that, the bride puts a temendous amount of effort and money into this one day. One of the jobs of the wedding photographer is to see that beauty in the bride regardless of circumstances or environment. It also means that at times you need to shoot knowing full well you will be doing something specific in post to make the vision a reality.  This bridal shot which I took at Serra Plaza was one of those moments that I knew I had to shoot with postprocessing in mind and adjust accordingly.

When I reviewed the image in Lightroom, the raw  image had some basic qualities that I thought would make a really good solid image in Black and White. At the time, the key issue to me was that the quality of light was shall we say, less than optimal. It was very late in the day and we were in the shadow side on top of everything else. There was a mix of daylight on her face and some type of sodium light behind her and over her head.  There also was the same fact that  hall lead to a bank ATM and it had a massive concrete trash can off to one side. But I knew with some cropping, I could clean it up quite a bit.  And I also felt that I could clean up the image best in Black and White and dump the mixed colors.

Basic Bridal Color Portrait

Basic Bridal Color Portrait

In the image below, you can see the results of the cropping and the initial Black and White conversion. At this point, I had not removed the trash can or done any major retouching. But you can already see how the black and white treatment really brought the image to life in spite of the lousy lighting. I used Nik’s SilverEfex Pro 2.0 for the conversion and as always, it just works really well to get a clean black and white image.

First pass of bridal conversion to B/W
In the final image here, I used the content aware fill tool in CS5 to remove the trashcan on the left side. Back in Lightroom 3, I also applied a sepia like tone preset called “Silver Dust Hue” from Gavin Seim’s workflow presets. to the image to give a very light vintage look to it. And I darkened the corners a touch. I paid very close attention to my bride to make sure I did not ruin the skin tones or the details on the dress. Remember, along with the look of the bride, its ALL about the dress.  Ruining the details on the dress will ruin the image for the bride, she paid a lot of money for the dress so you had better show it off to the best of your ability.
Final Bridal Portrait with all Retouching

Now we have a keeper of an image and it took about 40 minutes start to finish. I put one version into a digital frame and it looks spectacular.

 

 

 

 

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Always be looking for the shot

So I’ve been a bit delayed in writing my week’s blog entry due to going back to Connecticut for my oldest girl’s graduation. When we arrived there, I needed to rent a car and for 10 dollars more than a Chevy Malibu, I was able to get a very cool burnt orange Challenger. It was the ONLY one I saw the entire weekend of driving around and it gather looks and comments everywhere I went.

Along with the car, we needed a place to stay and I found a bed and breakfast that was a working farm (small) called “Butternut Farm“.  It was a very eccentric place to stay for a few days with good food, poor cellular coverage and virtual no lighting at night to see the sign or the building so I missed it a few times trying to find it at 9PM. It turns out that it’s really dark on country roads in Connecticut.

So what does a farm B&B and a orange Challenger have in common? Not too much till I came back to the farm one afternoon and saw a cool photo op by moving the car a few feet into the front of the barn and shooting with scene. I shot knowing full well I would need to photoshop the image since the light was not the best and rain had just started to mist down so everything was a dull blue tint. But I managed to rip off several images and by paying attention to details that I could control like the placement of the car, angle of the shot and waiting for the chickens, I got a good image to work with.

Here is the before and after shot.

2011 Challenger before and after with Lightroom 3

As you can see, I worried about my composition first, then I dealt with the lighting, color and so on.  Now that I have the shot, I loaded up photoshop CS5 and went to work using my Wacom and blend modes. The trick is to use a couple of layers to built up the color and detail of the car. You can see the original was a bit flat and the lower body panel was dark due to the overhead flat light. So I made a duplicate layer and used the multiply blend mode to darken up the very light highlights. I then applied a layer mask to hide it and re-applied it using a soft brush at 10% opacity to where I wanted to darken up things like the glass and top body highlights. I repeated the process again but used the screen mode to get a lightened version of the car. Again, I used my Wacom to apply a 10% layer to the lower body panels, the back and anywhere else that needed to be punched up a bit. Next was the application of an orange photography filter at 40%. Another layer mask let me paint out the orange on the blacks and wheels. The final touch was using Red Giant Light Factory to apply a “sun” to the tree line and tweak the final overall warmth of the image.

After all that which took about 30 minutes, I ended up with a pretty cool “product” shot of the classic Challenger in the farmyard. I did think about adding a flag but I thought would be too over the top of stereotypes.2011 Challenger in Butternut Bed and Breakfast Barnyard

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More hotlights and vintage portraits

I’m have a ball with my new hot lights. The vintage portrait project is coming together as I work out how to use the lights, get Lightroom and Photoshop to rework color to black and white and get a good workflow down. I’m also relearning how to shoot film as part of this project.

So the last entry on this subject was about shooting with a single light and this week, I’ve taken it to two lights. The idea is to provide some fill and highlights. And lest you think that one needs an expensive studio or alot of room for this style of shooting, that could be further from the truth. The sample shot I have included this week was taken in a 5×5 space right in front of my front door entry way with some white polarplus gaf-taped to the wall. Pretty low tech if you ask me.

So here is the “studio” shot. I have used my Wacom to mark it up a bit. As you can see, not very high tech at all or expensive.

Vintage studio in house marked up

Vintage studio in house marked up

But the results you can get are pretty amazing. I used Lightroom and Seim’s Power Workflow 3.0 Snapped B/W as my basic conversion from color to Black and White. I’m not sure if I’ll stick with this one but it’s a starting point. I then moved it into CS5 and used Focht’s Touchflow Palette to smooth out skin and add a touch of pop. I also used my Wacom to paint in and paint out extreme shadows, hot spots and such.

Blowing a kiss to fans

Blowing a kiss to fans

Not bad for the price of a doorway studio huh? I’ve found a book at Amazon called Hollywood Portraits: Classic Shots and How to Take Them
which goes into quite a bit of detail in how the old school Hollywood shots were created so that has been ordered. I’ve also ordered up Nik’s Silver Efex kit since it’s on sale at Adorama for a killer price. And yes, it soon will be 64 bit which makes those of us running 64 bit Photoshop very happy. You can download a free 15 day trial from Nik and give a workout to see if you like the outcome but I have to say, it makes some really nice B/W conversions.

I’ve mentioned the clone of the Arri lights before but here are the real deal if you are inclined or feel more comfortable with the brand named item. This can be very important if you want to rent out the kit as grip equipment or the like. This is the complete kit with 3 650 watt lights, roller bag, stands, barn doors etc.

 

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Unexpected photoshoots

Just the other day I was talking about taking advantage of shooting in unplanned circumstances. And so it came to pass, I got a call from a friend telling me about a way to get inside one of the old airship hangers in Tustin here Orange County. The base is still owned by the Navy and had been used as a Marine helicopter base and a blimp base among other things. I have taken pictures over the years of the hangers from the outside but I have never been able to get on the inside. So I get a call saying that there will be a tour on saturday and it’s now friday.

Saturday AM, I’m in a crowd of around 150 people, Boy Scouts, reporters and fellow shutter bugs heading down a dirt road to the old runway leading to the North hanger. We even had one of the few remaining airship pilots who used to fly along the coast of CA in WWII. Claude Makin had a wealth of stories and was happily sharing them and answering questions from the public during the tour.

I had my 5 year old in tow and was trying to work out how to shoot a structure that is 180 feet high, 300 feet wide and 1000 feet long. The SB800 is a bit underpowered for this type of “indoor” shooting 🙂

I had brought two lens, my trusty 17-55mm F2.8 and my 11-24 F4. I found myself wishing for a something like a 10mm fisheye but I made do. It was much lighter on the inside than I thought it would be even with the hanger doors closed due to three rows of windows on each side of the roof running the full 1000 feet. They do have lights on the inside but this time they were off. My typical exposures were ISO 200 at F2.8-F4 and shutters running from 1/25 to 1/160.

These selections of my images give a very good idea of what it’s like on the inside on the hanger. Most of these images were processed using the free Kodachrome actions from Michael W Grey. The actions work very well with many types of images, not all but many.

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Review of Knoll Light Factory for Photoshop

I was given the opportunity to try a new plugin for Photoshop by Red Giant Software called “Knoll Light Facotry for Photoshop”. It’s a pretty nifty plugin that gives you access to over 100 preset types of flare and lens reflections. These open up a new creative angle for your images. They can add a whole new dimension or they can enhance flare already there. You can even build up your own presets using custom elements and settings. The claim is that the effects are based on real physics and I have to say that as a non-physics major, I think they look really good. You judge for yourself.

Some of the product highlights are:

Here is a screen shot of the user interface in CS5 Photoshop. You can see that it’s very clean and easy to understand. One of the best features for me is the real time preview of the effect as I dial in different adjustments or add/delete elements of an effect.

Knoll Light Factory Plugin UI

Knoll Light Factory Plugin UI

The system requirements are pretty easily met by any recent OS and hardware. For my demo, I used a MacPro dual quad workstation with 14 gig of RAM. I did run LR3 and Cs5 in 32 bit mode to get a better handle on how the software would perform under memory constraints. The performance was very good, no slowing that I could detect and no stability issues of any kind.

Apple Macintosh

Mac OSX 10.5.8 and later
Intel Mac
1 GB of RAM
30 MB of Hard Drive space

PC / Windows

Windows XP 32-bit/64-bit
Windows Vista 32-bit/64-bit
Windows 7 32-bit/64-bit
Intel or AMD processor 1.6 GHz or higher
1 GB of RAM
30 MB of Hard Drive sp

For this demo, I used and image I shot at Disney’s California Adventure of a Dobro player. The lighting was good and bad, good that it was shade but bad in that the shade did not do justice to the chrome resonator of the Dobro. Enter Knoll Light Factory. I used Lightroom 3 to dial in my basic adjusts which were a preset called “Heritage” from Power Work FLow 3 , fill light, contrast and dialing down the red channel a bit. Nikons run a bit hot on the red channel and I almost always bring it down a touch. If you have not seen PWF3 from Seim Effects, you should check out Gavin’s work. Also, his podcast is pretty cool so check them both out.

Once I had the basic edits in place, I opened CS5 Photoshop and loaded up KLF. What I wanted was a starburst flare on the chrome, it would be a low key effect but very effective at drawing attention to the metalwork.

Here is the basic image before I applied the KLF effect.

Prior to Knoll effects added

Prior to Knoll effects added

And here is the image after the effect as been applied. The effect took less than 2 minutes to decide on, place, adjust and save out. Now you would be very hard pressed to know that I was in total shade shooting this.

After Knoll flare applied to metalwork

After Knoll flare applied to metalwork

After working with the plugin for a few weeks now, I have to say that I’m pretty happy with how easily I can add/enhance flare in my images. One must like flare in images to really enjoy this plugin so it’s not for everyone, I mean, after all, major camera makes spend alot of money to PREVENT lens flare but there are those of us artists who really like it and will use it with abandon given a chance 🙂 So whether you are an artist of flare or curious, I would suggest to get the demo and try it out.

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Westcott Model Shoot

The vendor, Westcott, sell various lighting and light modifiers to photographers and studios. They are a constant vendor at Photoshopworld and other Photography related shows. One of the most popular features of their booth has been the model shoot where a rep will demo product using a live model and then allow photographers to try their hand at a fast shoot using the same setup and equipment.

I think they just raised the bar in a big way by having four “sets” set up where they had live models and at times a still life available to shoot using the Westcott equipment. There were simple rules, you could not touch the model or the lights but you could direct the model on how you think a pose might work. This time you can submit your final images to be a possible catalog cover.

Popular? You bet!!!  They had photographers coming out of the woodwork with everything from the high end Canon/Nikons to the cell phone with any number of camera in between. it was amazing to shoot and even more so just to watch. It was pretty clever in a way since you can only really make the photograph yours by model position and post work. Since the lights were fixed, you had to move the model to change the mood and you had to use some solid techniques in post to “fix” things like lights being in the image, fashion model fixing, getting rid of backdrop seams and so on.

Here are some of my shots along with a description of what I had to do in post to get to the finished or close to the finished image. Most of what I did to these images is not much different than what I do in my wedding shoots or portrait sessions here in my studio in Orange. When I shoot, many times I know when I take the shot, that I will need to do something in post like removing something or enhancing the bride and so on. Sometimes I make a mental note that a certain picture will need something specific because I know it’s a cool shot but needs editing to make it cool.

Here is my Catwoman shot in the raw. No retouching, no post of any kind except to convert it from camera RAW to JPEG to post here on my blog.

Catwoman in Gotham City RAW

Catwoman in Gotham City RAW

You can see from the above shot that there is quite a bit of work needed in post to make a usable image. There is a light in the upper left, the bike is on carpet, the background is too short and does not touch the carpet just to name a few things. Here is the final version or very close to my final version of Catwoman

Catwoman in Gotham Final

Catwoman in Gotham Final

I edited out all the extra stuff like the lights and reflector panel. I used content aware fill and free transform to stretch and edit the background. I used the Lightroom Graduated Filter with a blue tint to darken and add mood to the background. I added a concrete texture to the carpet to make it look more like asphalt. I did a fair amount of selective burning in like the front rim of the bike which was too bright. I tweaked the intensity to get the deep reds and dark blacks. I added a dark vignette around the image to help blend in the transition between backdrop and carpet. I think it turned out pretty well 🙂

In the next shot, we have a retro looking “Pin Up Queen” but we need some work here too. There is a red fabric that is competing for attention, we have tattoos on the model and we have some unsightly bulges on the bustline and arm.

Pin Up Queen RAW

Pin Up Queen RAW

And here is my final image after using several tools and some hand work.

Pin Up Queen Final

Pin Up Queen Final

I used liquidify to smooth out the bustline and arm. I used Portraiture to smoothout the skin and give a glamor look to the over all image. I removed the red sash hanging down in the background and I removed the tats showing on each arm.

Here are some of the rest of my shots from the Westcott model shoot. Westcott even had a couple of still lifes for those who do not like shooting people. As you can see, many times you need good post processing to really bring out the best of a picture whether it be a still life, a fashion shoot or even a wedding. I’ve seen good images with bad post processing and they just do not work well. I’ve seen marginal images but with excellent post processing and they work pretty well.  Taking the shot is just one step to having a killer image as the final result. Ansel Adams was a master of this and understood clearly that the raw image was only the first step to showing the world your vision.

Thank to Westcott for putting all of this together and letting the photographers have alot of fun over the past three days shooting gorgeous models on fun sets.

Queen of Hearts RAW

Queen of Hearts RAW

Queen of Hearts FINAL

Queen of Hearts FINAL

Steam Punk RAW

Steam Punk RAW

Steam Punk FINAL

Steam Punk FINAL

Natural Pair RAW

Natural Pair RAW

Natural Pair FINAL

Natural Pair FINAL

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