Category Archives: editing

Lights, Camera and Action!!

Back of a Blu-ray Disc. I took this.
Image via Wikipedia

Oh yeah.. baby loves video 🙂  So I finally bite the bullet and bought ProShow Producer by Photodex. I used some images from the Westcott photoshoot at Photoshopworld as a test for a quick and dirty slide show. I tossed this together without reading ANY docs, just ran the wizard, clicked around a bite and off we go. In less than an hour I had pretty much made this show which included finding music on the internet.

Now I need to really dig into the software. It can do so much like layers and masking on the slides.  It’s a lot easier than Premier and I like the end results more than Animoto. A cool part is that it has a kick butt “create” menu panel. Anything you would like to export the show into is there. BlueRay, DVD, self contained EXE, Flash, Youtube, Facebook and more.  Way cool and one of the best export panels I’ve seen for video like this. Right now I have it running in Fusion on my MacPro in a Windows XP image and it works just fine. It would be nice to have an OSX version but this is very workable for now.

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Westcott Model Shoot

The vendor, Westcott, sell various lighting and light modifiers to photographers and studios. They are a constant vendor at Photoshopworld and other Photography related shows. One of the most popular features of their booth has been the model shoot where a rep will demo product using a live model and then allow photographers to try their hand at a fast shoot using the same setup and equipment.

I think they just raised the bar in a big way by having four “sets” set up where they had live models and at times a still life available to shoot using the Westcott equipment. There were simple rules, you could not touch the model or the lights but you could direct the model on how you think a pose might work. This time you can submit your final images to be a possible catalog cover.

Popular? You bet!!!  They had photographers coming out of the woodwork with everything from the high end Canon/Nikons to the cell phone with any number of camera in between. it was amazing to shoot and even more so just to watch. It was pretty clever in a way since you can only really make the photograph yours by model position and post work. Since the lights were fixed, you had to move the model to change the mood and you had to use some solid techniques in post to “fix” things like lights being in the image, fashion model fixing, getting rid of backdrop seams and so on.

Here are some of my shots along with a description of what I had to do in post to get to the finished or close to the finished image. Most of what I did to these images is not much different than what I do in my wedding shoots or portrait sessions here in my studio in Orange. When I shoot, many times I know when I take the shot, that I will need to do something in post like removing something or enhancing the bride and so on. Sometimes I make a mental note that a certain picture will need something specific because I know it’s a cool shot but needs editing to make it cool.

Here is my Catwoman shot in the raw. No retouching, no post of any kind except to convert it from camera RAW to JPEG to post here on my blog.

Catwoman in Gotham City RAW

Catwoman in Gotham City RAW

You can see from the above shot that there is quite a bit of work needed in post to make a usable image. There is a light in the upper left, the bike is on carpet, the background is too short and does not touch the carpet just to name a few things. Here is the final version or very close to my final version of Catwoman

Catwoman in Gotham Final

Catwoman in Gotham Final

I edited out all the extra stuff like the lights and reflector panel. I used content aware fill and free transform to stretch and edit the background. I used the Lightroom Graduated Filter with a blue tint to darken and add mood to the background. I added a concrete texture to the carpet to make it look more like asphalt. I did a fair amount of selective burning in like the front rim of the bike which was too bright. I tweaked the intensity to get the deep reds and dark blacks. I added a dark vignette around the image to help blend in the transition between backdrop and carpet. I think it turned out pretty well 🙂

In the next shot, we have a retro looking “Pin Up Queen” but we need some work here too. There is a red fabric that is competing for attention, we have tattoos on the model and we have some unsightly bulges on the bustline and arm.

Pin Up Queen RAW

Pin Up Queen RAW

And here is my final image after using several tools and some hand work.

Pin Up Queen Final

Pin Up Queen Final

I used liquidify to smooth out the bustline and arm. I used Portraiture to smoothout the skin and give a glamor look to the over all image. I removed the red sash hanging down in the background and I removed the tats showing on each arm.

Here are some of the rest of my shots from the Westcott model shoot. Westcott even had a couple of still lifes for those who do not like shooting people. As you can see, many times you need good post processing to really bring out the best of a picture whether it be a still life, a fashion shoot or even a wedding. I’ve seen good images with bad post processing and they just do not work well. I’ve seen marginal images but with excellent post processing and they work pretty well.  Taking the shot is just one step to having a killer image as the final result. Ansel Adams was a master of this and understood clearly that the raw image was only the first step to showing the world your vision.

Thank to Westcott for putting all of this together and letting the photographers have alot of fun over the past three days shooting gorgeous models on fun sets.

Queen of Hearts RAW

Queen of Hearts RAW

Queen of Hearts FINAL

Queen of Hearts FINAL

Steam Punk RAW

Steam Punk RAW

Steam Punk FINAL

Steam Punk FINAL

Natural Pair RAW

Natural Pair RAW

Natural Pair FINAL

Natural Pair FINAL

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Photoshop World 2010 Las Vegas Dispatch Weds

So here at Photoshopworld at the vendor Expo, Westcott did something very cool. They brought in four models (five counting the still life) and had them rotating between live demos to posing sets. Anyone with a camera could walk up and shoot the set/model from any angle you could get to. You could not change the lighting but you could have the model pose differently for you.

Here is the RAW shot from one of the posing stations. Straight from my D300 and zero adjustments.

Catwoman in Gotham City RAW

Catwoman in Gotham City RAW

Here is the same shot after my quick and dirty postprocessing. I will write up a complete “how to” post on how I got to the final product in a few days.

Catwoman in Gotham FINAL

Catwoman in Gotham FINAL

Why did Westcott do this? because they are having a contest going on that if your shot is picked from the Flickr feed, your shot will grace the 2011 Westcott catalog cover. Pretty cool idea and I saw quite a few taking advantage of the arrangement.

This is a short entry since I’m still in Las Vegas for the show and I’m trying to get this done before breakfast and another busy day.

Just a few words from the past few days.  The show is excellent as always but I think that the crowds are definitely smaller than what I remember a few years back. But everyone is very enthusiastic about the training, the show, Photopshop and everything that goes with it.

Scott Kelby and company did a righteous cover of the band KISS and a glam rock show complete with 9″ heels and pyrotechnics/steam/radio station sponsor and EVERYTHING was built on Photoshop/Adobe riffs.

Scott Kelby as KISS at PSW 2010 Vegas

Scott Kelby as KISS at PSW 2010 Vegas

JohnnyL from Adobe did a magic show and showed the crowd the magic of CS5. There was a poke in the eye at Apple for Flash and apps being rejected by the App store but accepted by Android. The irony there was ALL the computers used in the show were Apples as the iPad for the ePub demo.

Zack Arias did an awesome class on “Thing you need to know” as a photographer getting ready to make the switch from part time to full time.

I’ll write more in depth in the coming days along with more pictures of course. Back to the salt mines 🙂

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Repurposing Your Software Tools

Photoshop or your editor of choice actions can  help you cut time corners to make a better end product like blog entries. Say what?  Oh yes, you can adapt tools normally used for a task  like making albums into a killer tool for making story boards for blogs or displays or whatever else comes to mind. I just used my favorite album software from Fundy to make a batch of story boards for my blog here. Yes I could buy actions to do this but I wanted to see if I could do something close on my own with Photoshop.

I already have a couple of flavors of album making software, LumaPix, You Select It (YSI) and FundySOS Album builder. Since I’m on a Mac, I prefer to use Fundy Album builder. While LumaPix would do a really nice job, it’s Windows only and I need to start up XP just to make these. It’s more work then I want right now. Fundy means I never leave my workflow.  This is not intended to be a review of Fundy’s software but suffice to say it’s pretty powerful and is adaptable to virtually anything that requires arranging images, not just wedding albums.

Here is a sample of a three by three story board of a shoot in Colorado that I shot last year.  I tossed together in Fundy Album builder in a few minutes. Not only can I make the grid but I can save it as a design then load it back up and automatically fill the grids or fill them by hand. It can takes less than 5 minutes to make the entire grid and fill it this way. And I just have to insert ONE picture into the blog instead of a dozen or more.

3x3 Wedding Story Board

3x3 Wedding Story Board

And it does not have to be squares, it can be any shape I want, singles, squares, grids, puzzles and more. Also,  this is not just for blogs, this technique of story boarding or building paneled images  can be sold to a client or used in an album or picture book. So the time invested in making the templates can be time well spent. And yes, I had to buy the software but I had bought it  to make my wedding albums so now I’m using the same software for two or three other uses without having to buy anything else. That is money saved and in your pocket.

Here is a type of grid that is called a “puzzle” with several images from a local coffee house in the city of Orange  called Chapman Coffee. My business, Michael Sweeney Photography, had some art hung on the walls  there for a while and I had taken pictures for their website. Now I’m using them to illustrate a second type of collage that you can put into your blog by using album building software. I started with a blank canvas set to 1024 pixels square and used Fundy’s Album Builder Ninja layout and CS4 to make the puzzle. You can of course, make the squares manually using just Photoshop.

Chapman Coffee House Puzzle

Chapman Coffee House Puzzle

And you can take a single picture and use the panels as a design element. Use a strong picture and add a bit of space between the sections and you get a very cool effect. In this case, I made a quad panel and used a picture of a 1957 Chevy Bel Air automobile that I shot at the “Cars and Coffee” car show in Irvine, California. This image of the car works well spread across  the four panels with a visual break between each panel and gives an idea for a wall hanging upsell to the client.

1957 Chevy Quad Panel

1957 Chevy Quad Panel

If all this is cool but you either dont have existing tools like FundySOS  or you just dont want spend the time to mess around with Photoshop, then you can buy actions from a variety of places such as MCP who has the “Blog It Boards” among others. The actions give you a very fast way to get started on this type of presentation of your images.  You can find some free ones at coffeephotography.blogspot.com but keep in mind that free is good, sometimes paying for something is better.

So the take away is that for your blog, instead of fighting with posting a dozen images which can also be swiped, make a storyboard of them and post that. Everyone gets to see the pictures, admire your artistic skills in layout and you can shave time off the editing of your post.  You can also incorporate your album software or actions into your workflow as design elements.

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Why edit snapshots?

I get teased alot for taking the time to edit my snapshots. I tend not to hand out any images that I have not make a quick pass for color adjustments, cropping and minor clean up. Sometimes though, my cleaning up can pay off nicely. In the following example, my six year old was jumping on a air powered rocket that would trail bubbles. But the bad news was she had her back to me for a good bubble shot. But then as I kept shooting, she flipped sides and now she was facing me but the bubbles did not have a nice look. Can’t win huh?  Not exactly!  Through the magic of Photoshop, I was able to make a decent snap in just a few minutes of work.

The trick is to pick the keeper image and then swap out the subject for a better version. Portrait shooters do this all the time in swapping out heads, eyes, smiles and more to get that perfect portrait. I just wanted a nice snapshot of a fun moment so I swapped out Sara’s back side shot to the one of her facing me and put it on the good bubble shot. The magic in this type of swap job is in how to use masks and the pain brush. This tip is pretty much effortless since we do not have the cut out the subject, just get around the subject.

Here are my  two original shots.

Bubble rocket Backside

Bubble Rocket Back View

Bubble Rocket Jump

Bubble Rocket Jump Front View

You can see that the front shot is more interesting since it shows her face but the bubbles are more fun on the back shot. Here is the final product after I used CS4 to paint in the correct version of Sara on the right bubble background.

Final version after painting

FInal version after painting

So how did I get there from the two originals?  Easy..

Photoshop Masks

Photoshop Masks

I made two layers, each with one version of the image and each with a mask. The first image is my subject or the subject I want to see and the second is my background I want to keep. First, we need to put the two images into alignment and to do that, you can use auto-align to line up the images or you can do it manually. I used auto-align and painted (blended) manually. You can find the auto- align tool at EditAuto align layers and choose automatic. Do not blend, you need to do that part by hand

The subject I want

The subject I want

Here is the second layer with my background.

The wanted background

The wanted background

With the two layers in place, I paint in my top subject layer at 100% on the subject and then fade in the borders at 50% and 25%. I also use a Wacom which lets me blend with pressure which gives me considerably more control over the blending. Once I have a good blend job, I then apply global adjustments for color/contrast etc. And whammo!  I have a nice snapshot of my daughter launching her bubble rocket with good bubbles AND her face showing. Total time was about 10 minutes in Photoshop.

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Further Development Using Corel Painter

So I’ve been on a high key kick of late with Lightroom and Photoshop. I mean, EVERYONE does black backgrounds or vignettes and it’s old.. very old. I stumbled over something of a Hybrid High Key look while working on a junk image several weeks ago. I even posted an entry here on it and how I made it from junk to art. That just got my interest up as a new business angle. So for the past weeks, I have gone from fooling around with it to writing a Lightroom preset called “White out” to working in Photoshop to “paint” the final image.

Now I’ve extended it further with the use of Corel Painter 11 or you could use Corel Painter Essentials 4 which is considerably cheaper to get started with. I love digital painting. I love taking a sharp and detailed photograph and turning it into a painting or close to a painting that lacks the sharp details but has a wonderful texture and feel to it that a photograph is lacking. I will also add that a Wacom or other graphics tablet is pretty much required to do this well. A mouse is painful to use when you want to paint and you will get frustrated with it. In my case, I did try painting without the tablet and then I bought a used tablet for a cheap price to see if I really wanted to stay with it. I just bought a new medium Intuos 4 Wacom so I have committed myself to this style of post processing.

Photoshop CS5 has some basic painting elements now built in but I find them more of a play toy than anything ready for serious painting. But, they will get you by on the cheap if you already have CS5 and would not rather not sprint for Corel’s software OR you would rather not learn a new software package. I also feel that these basic brushes in CS5 are just the opening move for CS5 to move into Corel’s space. I think if Corel were smart, they would offer plugs for CS5 that extend CS5 more into the Corel way of painting. At least the 800lb gorilla is not quite as ready to step on you if you are a partner of theirs.  Just my opinion and I dont know diddly about what goes on in the backroom of Adobe or Corel.

White out conversion

White out conversion

So here is a picture that shows my original image plus the basic reworked image that has the background replaced with white and the levels reworked using my Whiteout action plus some manual tuning. I also used Portraiture to smooth out the skin.

I took this image, added about two inches around it in white and saved it as an eight bit TIFF file and brought it into Painter. I cloned the image and added a layer to the clone. Then I used the basic blender brush called “grainy watercolor” and painted out the edges. Then I used the same brush in various sizes to brush out fine details and to blend tones. I did add some color to places like the nose and lips which had blown out to white in the processing. I used black to add some lines to other blown areas, just a touch of a line, a hint as it were. I might add some color background but that defeats the point of a high key look in white.. but I might do it anyways. I also did some heavy retouching on the reflections in the glasses. Since I wanted the black dots on the hat and the black glasses to provide a counter point to all the white, I needed the glasses to be almost solid black with just a bit of reflection to provide the texture. Smooth black in my mind would be too much.

white out then painted

Whiteout when painted

You can see that while the painting looks good, there is still some room for improvements here and there. That is the trouble with this style of post reworking, you can get so caught up in refining things, you never finish it. I love to paint and I have several ideas for my business revolving around using painting as a tool. But like the basic art of photography, this will require a fair amount of practice on my part or yours if you want to try it also. I would warn you not to get too discouraged at first. Painter is not intuitive or at least I dont find it that way. Some of my Photoshop commands transfer but by in large, it’s a completely new set of skills and commands to learn. This is the attraction of trying to see how far I can push the new bristle brushes in Photoshop CS5 where I already feel comfortable.

Tools used in this article:

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The making of a Lightroom preset

So i have been playing around with a “hybrid high key” look that I like on certain images. I originally did it as the result of salvaging a “eh” picture but I really liked the look. So I worked out how to take my history of the image and flip it to be a preset. Not only that, but the preset works pretty on other images with some minor tweaks.

My first image was a happy accident but this one is the result of my new preset plus some extra work in photoshop to really dial it in. I applied the preset then loaded it up into CS4 to paint in some color, apply some blur with a mask so I could even out tones, fix the eyes using MCP eye doctor actions and painted in some eyelashes.

Jo - Version 2

Jo Version 2

Now I had the look I wanted, how could I save the look and use it on future images? I need to make a preset for Lightroom. So I created the preset and then I needed to test it on other images. Now the question was could I get the preset to work on a picture of a different tonal range? Here is my original image. You can see she has dark hair and darker skin than my first model.

Basic Bridal Image

Basic Bridal Image

So I apply the new preset and tweak a few things like the vignette and the exposure a touch. And this is what I came back with.

Testing the preset

Testing the preset

I’m pretty happy with the results so far. My new preset gets me within 80-85% of where I want to be with the image and I just need to fine tune the development of the image to bring it exactly to the point I want. The Photoshop edits are a topic for another blog post 🙂

Now, how did I actually make the preset? I used Lightroom 3’s history panel. I made all my adjustments and then made a snapshot of the history.

Lightroom 3 History Panel

Lightroom 3 History Panel

Once I had the snap of the history, I highlighted the new snap and I went to the preset panel and clicked on the + sign to make a new preset. It’s that simple.

Lightroom 3 snapshot dialog box

Lightroom 3 snapshot dialog box

But, you can also see that the whole process of making snapshots and presets can be a VERY powerful aid to your workflow. You can make a preset of virtually anything you can do in Lightroom and use as much or as little of the settings as you want for the preset. In my case, I unchecked a few things like lens corrections since I’m not always shooting with the same lens.

Lightroom 3 Preset Dialog Box

Lightroom 3 Preset Dialog Box

Now just what is in a preset? A preset for Lightroom is just a text file that has all the settings that Lightroom will apply to the image when you “develop” it. These changes are non-destructive which is why you have these text files. If Lightroom had been made several years ago, they would have edited the image directly which is why some of us have alot of copies of the same file scattered around because you never, ever edited the original. This way is much better! Here is the contents of a preset file. I have hightlighted in yellow a couple of setting we all know and love. Both of which I changed in my development of the preset. This file captures those changes and will apply them each time I apply the preset.

Preset File Contents

Lightroom Preset File Contents

Now I can make any image more or less the same using this preset. I dont have to try and remember how I did it or guess at the settings. I can apply it to one image or to many images at once. I can apply it at import or at a later time if I choose. As I said, presets are a very powerful tool for your workflow in Lightroom.

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Color to High Key Black and White

One of the most classic looks in photography is Black and White. It is very interesting to me how even with our fancy digital cameras and ultra clean image files, we strive for a retro, grainy old school look without color. We will use all kinds of tricks to make our clean image look like the old Tri X or illford or TMAX. We add grain (noise), we unsharpen the image, we do all kinds of things to “ruin” the digital perfection that we as photographers pay dearly for.

And why? Why do we do this thing that we do? Because we have a collective embedded memory that black and white is artistic, it’s clean and pure and it really can make you focus on the image, not the colors. I’m sure there are a lot of other reasons but those are what come to my mind as I’m writing this missive.

I remember learning photography years ago in a community college and being very disgruntled to learn that my first semester would be just black and white. I thought it was going to be a terrible semester, why did we need to learn this old crap when we had Kodachrome and E6 slide film and more. Who even WANTED black and white?

That sure changed by the end of the semester to the point that when I signed up for my second semester, I took a second semester of black and white film studies. I lived in black and white film, I lived in the dark room with it’s chemicals and red light. I pored over catalogs looking at exotic papers to print my B/W images onto. I learned how to make my own developer to tweak the film into a direction I wanted it to go. Only then did I start to explore color.

But technology marches on and B/W became a niche player with color owning the world. Then came digital and really changed things around. Color was everything, saturated was better, grain or noise was the great evil and we strived to get as clean of an image as possible and some of us thought we might have lost a piece of our soul in the process and chase.

So now I see B/W more but I see really bad conversions where the folks end up with a monochromatic middle grey image and call it “Black and White” because that is what the preset says it is. With this thought, I’m going to write up a few entries on my ideas of B/W and how I got to certain pictures that I really like. My first one is a high key look where it’s dark blacks, stark whites and very little grey. It’s also a study in how to salvage an image that otherwise was not much to look at.

So lets start with the original image, no retouching or other processing. It’s got a bit of lens flare since I was shooting a 1.4 50mm wide open against the bright white background.

Jo Original No Retouch

Original Image - No retouch

As you can see, aside from the killer body, technically speaking, the image is not very special or very strong. But lets see what we can do with it. I always start in Lightroom since that is my workflow. The very first thing I do is apply a camera profile preset which brings in the various settings to match my camera, in this case, a Nikon D300. Then I will apply a B/W conversion preset and do some basic adjustments.

BAM – FREE Camera Dojo free Lightroom preset.
WOW BnW_02 – FREE Jack Davis B/W conversion preset from his How to WOW series

Highlights +40
Darks +75
Shadows -19
sharpness -80

The sharpness has been dialed down to let me run the noise clean up, then I reapply the sharpness as needed

luminance +54
color noise +27
sharpness +40

After Lightroom Conversion

After Lightroom Conversion

Now I bring the image into Photoshop to fine tune it and to clean it up.

I first apply a curves layer with a sweeping curve that starts from the lower left corner and bows to the left and up the right hand corner. This brings out the whiteness of the skin

Now I make a duplicated layer and start to sample the image and paint it using the samples. In this case I evened out a shadow under the chine, I made the eyelashes darker, whites of the eyes brighter and so on.

After Curves

After Curves Adjustment

I then apply a blur to a duplicate of the painted image. But I apply a layer mask which hides the new blur. Then I use my Wacom to paint in the blur at something like a 20% opacity.

Jo - Final Image

Final Image after retouching

Now we have a pretty sweet and dramatic black and white image. It really shows off her eyes and the overall beauty of her face without the distraction of lens flare, color and other attributes. Print this on black and white paper or aluminum and you have killer wall art.

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Distoration and the Canon G11

When I read the reviews on the Canon G11, nobody and I mean NOBODY mentioned the horrible lens distortion that the 6mm setting puts into the image. Worse, nobody mentioned that even in mid setting, there is a pin cushion effect, subtle but there regardless. Why did I see all this and not anyone else? Do I have the all seeing eye? Not so much but I AM shooting exclusively RAW which was one of the prime reasons I bought the camera. It turns out that in JPEG mode or in Automatic, the camera applies filters and corrections to fix all this but in RAW, you are pretty much on your own.

What I found out recently is that Lightroom under Camera Profiles Lens Corrections, you can fix alot of this type of problem for many cameras. If I were Adobe, I would be shooting this from the mountain tops and not keep it hidden. In the case of the G11, I can pick Canon G10 (pretty much the same camera) and LR will fix virtually all the distortion cleanly and fast.

See the image below for a side by side of before and after.

lightroom camera profile before and after

Lightroom Camera Profile before and after

This is image is not retouched in any way other than the camera profile and whatever sharpening was applied in the conversion to JPEG from RAW in Lightroom.

lightroom camera profile lens corrections panel

lightroom camera profile lens corrections panel

But that is not all folks, you can have access to transforms from within Lightroom!! No more having to leave LR to go into Photoshop to use transforms. Check out this second panel in the Camera Profile panel.

lightroom camera profile lens corrections panel 2

lightroom camera profile lens corrections panel 2

And there is one more feature. Take a look at the next picture and you will see a grey background where I have transformed the image onto an angle which leaves a blank area. Instead of having to manually crop this, you have the option of clicking on the tick box to constrain the image as you go. This keeps the image cropped while you work. You can always go back and adjust to taste just like any other crop setting.

Camera Profile Lens Correction Auto Constrain Crop

Camera Profile Lens Correction Auto Constrain Crop

I hope this tip helps you as much as it did me. Even my good glass from Nikon benefited at times from the automatic corrections. Not nearly to the degree of the Canon but then the glass cost fours times as much as the Canon cost 🙂 You expect better from something that costly.

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How to easily make a pirate map

With the popularity of all things pirate since Johnny Depp introduced us to Captain Jack Sparrow, my kids are obsessed with pirates, swords and swashbuckling. So on the day of going to visit some of their friends for a play date, I gave them each a copy of a map I had “found” in our yard. It was a real pirate map!! Complete with skull and crossbones and “X” marks the spot.

Pirate Map

Pirate Map made from Yahoo Map

My kids were very surprised to find out that following the map took them to their friends house which was the “treasure” on the map. They were very excited about having a map to follow and never questioned that it had street names on it so they could look out the window of the van and watch for the signs.

What I had done was take a screen shot of Yahoo maps showing a reasonably large view of our neighborhood and cleaned it up of stray information in Photoshop.

Basic  Map from Yahoo Maps

Basic Map from yahoo Maps

Then I started on some basic ‘shopping of the map. I added an old paper texture to the map. The paper I got from MK Designs Little Pirates package and it worked really nice. An alternative for any of the elements in this project is to search Flickr or Google for Creative Common’s licensed elements or public domain elements. There is not any need to steal any of these, they are everywhere to be had as freebies.

I used a very simple method of just using Grab (I have OSX so use ther screen capture software of choice) to get a screen shot as a TIFF, opening that in Photoshop, then I flipped it to grey scale and added a curves layer to get nice dark blacks since I need them to show through the paper. I then opened up the paper and dragged the paper onto the map image. Then I dropped the opacity to about 60% and used a curves layer to bump up the black point.

I now have my simple textured “map” ready to add various elements to in order to make it “real”

Map with Paper texture applied

Map with paper texture applied

So now we can get on with adding various elements. I added a skull and cross bones and faded it to better blend into the paper. I also used a ragged brush to draw a dotted line route on the map. I used a strong font to make a large letter X then free transformed it bigger and to distort it a bit. I also added a compass to add to the nautical theme but you can go as nuts as you want. You could add burn holes, cuts, blood stains, smudges and more.

Pirate Map with added elements

Pirate map with added elements

The appeal of this map is how simple it is to make and how fast you can make it. Not to mention the points you win from your kids as being a cool parent who can make a pirate map.

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